Anyone who is a fan of the Conan O’Brien TV show (link for original show here) is familiar with trombone player Richie “La Bamba” Rosenberg. You may not know about his history before the show. He got started as a member of Southside Johnny and the Asbury Jukes. The Jukes were part of the New Jersey scene that included Bruce Springsteen (who gave La Bamba his nickname). In fact, E Street Band member Steven Van Zandt was a member of the Jukes in the early days. That also explains how La Bamba knew E Street Band drummer Max Weinberg, who recruited him for the Conan O’Brien Show band.
Below is a link for the Jukes’ song When You Dance, written by Springsteen and Van Zandt, which first appeared on the 1977 album This Time It’s For Real. This shows that La Bamba had a flair for comedy 35 years ago. At the beginning of the song the band is chanting “La Bamba, La Bamba, …” while La Bamba does a crazed elephant impersonation on his trombone. It’s hilarious and it’s a great song; give it a listen:
I went to a lot of concerts in the 70s and 80s. That covers the time from when I started college (actually fall 1969) through the time my wife and I became parents in 1987. Suddenly the logistics were more complicated and there were more things going on, so we haven’t gone to as many since that time.
When I think back over all the concerts I’ve gone to, there are two performances that stand out for me as the coolest things I’ve seen. There were others concerts I enjoyed more overall, but these two performances were amazing.
I saw the New York Rock and Roll Ensemble during my freshman year in college, so this was during the 1969-70 school year. Their performance of the Chuck Berry classic Roll Over Beethoven blew me away. The band was started by students at the Juilliard School (link to school website), so they were of course outstanding at classical music. They sat down as a string quartet (2 violins, viola and cello) and started a Beethoven piece. Then, one of them picked up an electric guitar and played the Chuck Berry riff that starts the rock song, and they all switched instruments and became a rock band. They went back to the string quartet for the bridge, then back to the rock band to finish the song. The playing, in both formats, was very impressive. For me it focused on how musicianship can make rock music more enjoyable to listen to — it’s more than just getting your hair and your attitude right. There was an energy that made their performance special. When I listened to their records later, their playing seemed to restrained by comparison, that energy was missing.
At a Weather Report concert in the early 1980s at Merriweather Post Pavillion in Columbia, Maryland, I saw bass player Jaco Pastorius play Jimi Hendrix‘ Purple Haze as a bass duet — WITH HIMSELF. He set two speakers facing each other with a guitar stand in between. With the first bass he played the repeating notes (octaves?) that start the song (click here to refresh your memory). He set the bass between the speakers so that the notes repeated in a loop. Then he picked up a second bass and played the lead of the song. I found it mind-boggling that not only could he play it on a bass but that it sounded just like the Hendrix original. I don’t think he sang, and I don’t remember anything about the end of the song. It was that WHAM moment at the beginning of the song that stuck with me.
In addition to being awesome performances, another thing they have in common — unfortunately, in this case — is that there doesn’t seem to be video available. At least not that I could find. So all I have to share with you is the memory. I hope you have also experienced a magical in-concert moment like these.